| Damon Runyon Literary Overview |
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Dames and dice. Wise guys and speakeasies. Horse players and dance hall girls. This is the world of Damon Runyon. According to Jimmy Breslin, Damon Runyon “invented the Broadway of Guys and Dolls and the Roaring 20’s, neither of which existed, but whose names and phrases became part of theater history and the American language”. Runyon loved Broadway, what he called “the Big Street”, and he loved the people, those big dreamers who flocked to the bright lights, even more. His rich imagery inspired everything from THE COTTON CLUB and CHICAGO to THE STING. We find Runyon’s universe alive today in the hip-hop urban world of rappers, street hustlers, and entourages, and Runyon’s stories can be contemporized through this hip-hop lens. Born in Manhattan, Kansas, Damon Runyon found his fame and fortune across the continent in Manhattan, New York. He was a newspaper man who covered major sporting events, sensational criminal trials, political conventions and wars for the Hearst newspaper chain. Runyon was read by millions of Americans every day. In his famous Broadway Stories, he created a unique, urban dialect called “Runyonese”, in which his raffish repertory of characters are called by distinctive nicknames and speak a richly comic lingo that borrows slang from jazz, vaudeville, sports, Yiddish and the criminal underworld. Runyon’s stories featured larger than life characters in crazy situations and were inspired by real people Runyon knew. Names had to be changed to protect the not-so-innocent. For example, gangsters “Dave the Dude” and “The Brain” are really Frank Costello and Arnold Rothstein, respectively. Narcissistic reporter “Waldo Winchester” is really radio personality Walter Winchell. Runyon’s flavor is tragic and comic at the same time. He was the “Coen Brothers” of his time. His stories are filled with amoral characters who are up to no good – but they often get their own just deserts, giving the audience a satisfying, moral, and hilarious ending. Against this backdrop, anything can happen:
Runyon is the unnamed narrator of his Broadway Stories that largely take place on a ten-block stretch surrounding Times Square, - the “Great White Way" - populated by slumming members of the upper class and ambitious grifters in town to make big scores with their entourages, the policemen, the street vendors and hustlers who wander in and out from one story into another. Dozens of such colorful characters compose Runyon's universe, such as:
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